<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>Jacob Boas</title>
	<link>https://jacobboas.com</link>
	<description>Jacob Boas</description>
	<pubDate>Wed, 11 May 2022 16:50:38 +0000</pubDate>
	<generator>https://jacobboas.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Untitled page</title>
				
		<link>http://jacobboas.com/Untitled-page-2</link>

		<comments></comments>

		<pubDate>Wed, 11 May 2022 16:50:38 +0000</pubDate>

		<dc:creator>Jacob Boas</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">424266</guid>

		<description>
Editorial Reviews



 



Boulevard des Misères: The Story of Transit Camp
Westerbork (1985)



“In Boulevard des Misères, Jacob Boas has provided a
moving account of the victimization of Dutch Jews…. Mr. Boas provides masterly
sketches of Westerbork prisoners. Henry L. Mason, New York Times,
October 20, 1985. 






“This is an excellent, well-written, and pioneering history
recommended for the historian and general reader.” Library Journal (July
1985)






“A valuable addition to the literature of the Holocaust.” Booklist,
April 15, 1985.



&#38;nbsp;



We Are Witnesses: Five Diaries of Teenagers Who Died
in the Holocaust (1995)






Holocaust survivor Boas bears powerful witness to what
happened to ordinary families as they were crowded into the ghettos,
persecuted, and murdered.” —Booklist, Starred Review
“The cumulative effect of the five journals is overwhelming.” —The Horn Book
Magazine
“Boas brilliantly unfolds the history of the Holocaust through poignant
excerpts from five teenagers' wartime diaries, enhanced with skillful
commentary.” —Publishers Weekly
“A riveting collection of texts that, rather than variations on a theme, remain
stubbornly individualistic, adding up to a stereoscopic vision of the
Holocaust.” —Kirkus Reviews
“We are privy to the thoughts of five adolescents who wrote about, and then
died because of, the Nazis' persecution of the Jews.” —The Bulletin of the
Center for Children's Books, Starred Review
“Boas ably guides the reader through these literary landscapes of hell, where
none of the writers survived. . . . [These] young people make the accounts more
universal, and permit us to see the common humanity of each of these different
witnesses.” —Jewish Bulletin







Writers’ Block: The Paris Antifascist Congress of 1935(2016)






“The book is exceptionally well-written and well-researched,
drawing on an impressive variety of sources, both published and unpublished, in
Russian, French, German, Dutch, English, and Spanish. What emerges is a
captivating portrait of the state of European intellectual life in the 1930s.” Modern
Language Review



 



 </description>
		
		<excerpt>Editorial Reviews         Boulevard des Misères: The Story of Transit Camp Westerbork (1985)    “In Boulevard des Misères, Jacob Boas has provided a moving...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
		
	<item>
		<title>Reviews</title>
				
		<link>http://jacobboas.com/Reviews</link>

		<comments></comments>

		<pubDate>Wed, 11 May 2022 16:47:50 +0000</pubDate>

		<dc:creator>Jacob Boas</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">424265</guid>

		<description>&#60;img width="864" height="1039" width_o="864" height_o="1039" src_o="https://cortex.persona.co/t/original/i/ef0bd87176dfe1482d1b06f6ed27d504fc543a5f8c5be6b5469305019d834948/JB_book-layout.jpeg" data-mid="1363447" border="0" /&#62;

Reviews
Boulevard des Misères: The Story of Transit Camp
Westerbork (1985) 

“In Boulevard des Misères, Jacob Boas has provided a
moving account of the victimization of Dutch Jews…. Mr. Boas provides masterly
sketches of Westerbork prisoners. – Henry L. Mason, New York Times,
October 20, 1985. 






“This is an excellent, well-written, and pioneering history
recommended for the historian and general reader.” Library Journal (July
1985)






“A valuable addition to the literature of the Holocaust.” Booklist,
April 15, 1985.





&#60;img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/461a7558ba8d19fe66cca2facf676f5a06de1e665e84cc6fea84f32bcb96b5a9/6624.jpeg" data-mid="1367006" border="0" data-scale="100"/&#62;Jacob Boas presenting Until Further Notice... at Mother Foucault’s Bookshop in Portland, OR June 6, 2024.&#38;nbsp;Photo: Wendy Nuttelman


We Are Witnesses: Five Diaries of Teenagers Who Died
in the Holocaust (1995)





“Boas brilliantly unfolds the history of the Holocaust through poignant
excerpts from five teenagers' wartime diaries, enhanced with skillful
commentary.” —Publishers Weekly


Holocaust survivor Boas bears powerful witness to what
happened to ordinary families as they were crowded into the ghettos,
persecuted, and murdered.” —Booklist, Starred Review
“The cumulative effect of the five journals is overwhelming.” —The Horn Book
Magazine
“A riveting collection of texts that, rather than variations on a theme, remain
stubbornly individualistic, adding up to a stereoscopic vision of the
Holocaust.” —Kirkus Reviews
“We are privy to the thoughts of five adolescents who wrote about, and then
died because of, the Nazis' persecution of the Jews.” —The Bulletin of the
Center for Children's Books, Starred Review
“Boas ably guides the reader through these literary landscapes of hell, where
none of the writers survived. . . . [These] young people make the accounts more
universal, and permit us to see the common humanity of each of these different
witnesses.” —Jewish Bulletin
Mr. HOLOCAUST (I presume) (2005, Dutch only)
Boas’s stories are special for their capacity to maintain a contrary attitude to the ‘Holocaust industry.’ He chooses the side of the victims, but also knows where victimhood crosses over into self-pity. Excellent – and distressing – accounts from an interesting perspective. —Chretien Breukers in Nederlandse Bibliotheek BV, June 16, 2005.






Writers’ Block: The Paris Antifascist Congress of 1935&#38;nbsp;(2016)






“The book is exceptionally well-written and well-researched,
drawing on an impressive variety of sources, both published and unpublished, in
Russian, French, German, Dutch, English, and Spanish. What emerges is a
captivating portrait of the state of European intellectual life in the 1930s.” —Modern
Language ReviewThis is a fascinating and informative story about how European intellectuals dealt with the rising threat of fascism in the 1930's, each in accordance with his or her personal beliefs, culture, background and ego. In spite of the seriousness of the topic, this is an enjoyable read because of the author's excellent style and sense of humor. Highly recommended for anyone interested in European history of the 20th century. — “Conrad Admirer” – Amazon.com, May 23, 2023.&#38;nbsp;
Writers’ Block is a great read. I love how you move through history and you found such great primary sources to quote, and your prose is elegant. Totally enjoyed reading it. – Louise Steinman.&#38;nbsp;PEN World Voices Festival, Co-CuratorCo-Director, Los Angeles Institute for Humanities, USC.
Until Further Notice ... Theresienstadt On My Mind (2024).
What I like best, is your eclectic approach: picking out
specific facts and episodes to draw in the reader and have him or her
“experience” history as it were. You do that exceedingly well! – Laureen Nussbaum, Professor of Foreign Languages and
Literature, Portland State University (retired). Author Shedding Our Stars:
The Story of Hans Calmeyer and How He Saved Thousands of Families Like Mine.



















 



 </description>
		
		<excerpt>  Reviews Boulevard des Misères: The Story of Transit Camp Westerbork (1985)   “In Boulevard des Misères, Jacob Boas has provided a moving account of the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
		
	<item>
		<title>Home Page</title>
				
		<link>http://jacobboas.com/Home-Page</link>

		<comments></comments>

		<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>

		<dc:creator>Jacob Boas</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">424169</guid>

		<description>I’m Jacob Boas,historian, author, translator.

Jacob Boas was born in Transit Camp Westerbork (1943), the concentration camp in northeastern Holland from which the bulk of Dutch Jewry was sent to the killing centers in the East. Liberated in 1945, Boas grew up in Amsterdam and Montreal before moving on to California, where he earned a Ph.D. in history. He lives in Portland, Oregon, with his wife, Patricia.
His books include Boulevard des Misères: The Story of Transit Camp Westerbork (1985);&#38;nbsp;We Are Witnesses: Five Diaries of Teenagers Who Died in the Holocaust (1995);&#38;nbsp;Mr. HOLOCAUST (I presume) (2005, Dutch only); Writers’ Block: The Paris Antifascist Congress of 1935 (2016); &#38;nbsp;Until Further Notice ... Theresienstadt On My Mind (2024), and&#38;nbsp;Burden of Proof: Fragments of a Surviving Remnant (2026).
Reviews


Photo by Karen Weliky</description>
		
		<excerpt>I’m Jacob Boas,historian, author, translator.  Jacob Boas was born in Transit Camp Westerbork (1943), the concentration camp in northeastern Holland from which...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
	</channel>
</rss>